PROJECTS

An Exploration of Trash  examines the paradox of contemporary consumer society: a system driven by constant acquisition, where objects are rapidly replaced and excess becomes inevitable. The exhibition questions: what happens to what is left behind? To what is discarded, forgotten, or deemed no longer useful? Rather than treating waste as an endpoint, the artist approaches it as a site of possibility. Materials displaced by newer purchases — cardboard, paper, glass, acrylic,

Mar de Cores  is the third stop of the O Mar Não Tem Limites route, as part of the city-wide artistic circuit. This installation combines art and environmental awareness, displaying a visual reflection on the impact of marine pollution, particularly the infiltration of plastics into fishing environments. The installation consists of a fifteen-meters long, suspended, brightly colored fishing net, crafted from recycled materials and painted in vibrant hues. This net stretch ac

Oceano Mágico  is a large-scale interactive installation that engages young audiences and encourages exploration through playful and sensory experiences. This work is part of Espinho's artistic circuit O Mar Não Tem Limites , blending art, environmental awareness, and community participation. The installation consists of a labyrinthine path constructed from objects collected from Espinho’s beaches, including sticks, plastic, driftwood, and other recycled items. These elements

Ocean Trash Art  is an environmental and artistic project, developed as part of the O Mar Não Tem Limites  artistic circuit in Espinho. This intervention combines community engagement, beach clean-ups, and participatory art workshops, transforming marine waste into visually striking public sculptures. With the support of students from local schools, Isa Magalhães will collect beach litter from Espinho, including plastic, nylon, ropes, nets, bottles, and other discarded object

O Mar Não Tem Limites  is a video installation, part of the Blue Flag artistic circuit in Espinho. This work combines environmental awareness, artistic intervention, and public reflection, encouraging viewers to consider the effects of climate change on coastal regions. The installation consists of a physical path made of sand and stones, creating a “trail” marked with human footprints of varying sizes and shoe shapes. This path symbolizes the footprints left on beaches, grad

Stretching nearly 100 meters, the installation A Liberdade  (Freedom) currently takes over the entrance of the Oriente Museum, in Lisbon. This large-scale textile sculpture is entirely handmade and created specifically for the 50th anniversary of April 25th, 1974, marking the establishment of democracy and freedom in Portugal. Using light as an integral element, the installation reveals a multitude of details that celebrate freedom as both an achievement and an ongoing proces